Marcela Roggeri

¿Qué sutiles relaciones se tejen entre un músico polaco decimonónico y una escritora francesa que nació un siglo después? Un espectáculo de teatro y música intenta respuestas.

Crítica de la Revista Eñe (Clarín) al espectáculo en el cual la pianista Marcela Roggeri y el actor Martín Urbaneja dieron cuerpo a una extraña y fascinante ficción basada en piezas de Chopin y en la primera novela de la escritora francesa Marguerite Yourcenar (1903-1987), que pudo verse el 9 de noviembre en el teatro Gran Rex.

Sofia Gubaidulina

Complete solo piano works Marcela Roggeri (piano) (Transart TR161) ?12.72

Of the Russian composers after Shostakovich, Sofia Gubaidulina has made the biggest impression in the west as a fierce individualist. Her piano works have touches of wild humour in the jewel-like aphorisms of Musical Toys (minute-long pieces evoking a trumpet, an accordion, an echo, a drummer, forest musicians, and the non-PC "Bear playing the Double Bass and the Negress" which is pure boogie-woogie). There is more than a touch of Kurtág in her concentrated visions, while the early sonata and the magnificent chaconne are serious, drawing inspiration from both baroque and avant garde. Argentinian pianist Marcela Roggeri shines.
Nicholas Kenyon

Source: http://www.guardian.co.uk/music/2009/mar/01/classicalmusicandopera

Mike Dixon applauds Ash Mukherjee's work.

Dance Europe - March 2009

(...) It's to the great credit of Argentinean pianist, Marcela Roggeri, that Guba?dulina's pleasing and almost effortless integrity and vision remain with the listener long after hearing the 14 pieces from beginning to end: deeply satisfying.

Mark Sealey
MusicWeb International

Full review:
http://www.musicweb.uk.net/classrev/2009/Feb09/Gubaidulina_tr161.htm